The difference between art and design is in usage, just as the difference between wallpaper and painting is intention.
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Sounds like a bunch of grown ups who maybe enjoyed The Locust in high school, then played in The Pampers, got office jobs, then car payments, then moved to the suburbs, then felt lame for not “rocking out” anymore so they smoked an 8 ball while drinking a rack of Hamm’s and recording an ep straight to Garageband.
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A sucker for anything that sounds like the crackly noise of a record over anything else, I’m prone to enjoy it even more when other natural ambient sounds like rain are part of the composition.
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LSD must not be a reference to the drug, because no amount of acid is ever this boring.
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If you distinguish between yelling and screaming, where the latter is a focused and pointed effort with a concerted intent to harm and/or raise alarm, this record is definitely yelling.
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Skronking art rock improvisation ep from a skronking garage noise guitarist who started a skronking pop band is always going to ok for skronking in my book.
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Remember how the tuning dial on a tuner would be weighty, to allow fine-grained hand-tuning of stations, and how it was amusing in 1995 to just spin it through the whole spectrum and hear flecks of everything, unconnected to anything else, just a bunch of pop noise? Not me.
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Is it that I’m from a factory town that miced sewing machines is interesting, or that close listening of anything well recorded is rewarding?
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This is to being happy a scratched 45 keeps getting stuck what The Field is to skipping cds.
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